Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.
Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?
n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.
What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.
On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.
One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.
Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
久保明,小林夕岐子,高橋厚子
比尔·普尔曼,比尔·帕克斯顿,巴德·库特,尼古拉斯·普赖尔,帕特丽夏·夏博诺,乔治·肯尼迪,李·阿伦伯格,安迪·伍德,毛德·温切斯特,Jon Kellam,威利·加森,约翰·帕克斯顿
基努·里维斯,詹妮弗·康纳利,凯西·贝茨,贾登·史密斯,约翰·克里斯,乔恩·哈姆,凯尔·钱德勒,罗伯特·克耐普,吴汉章,约翰·罗斯曼,森塔·普拉萨德,胡安·雷丁格尔,萨姆·吉尔罗伊,坦娅·钱普,鲁奇娅·伯纳德,艾莉森·多恩,Lloyd Adams,穆萨·克拉许,J.C.麦肯泽,丹尼尔·巴孔,Richard Keats,里斯·亚历山大,舍治·哈德,奥·盖尔,理查德·蒂尔曼,帕特里克·萨邦圭,杰克博·布莱尔,肖恩·琼斯,杰克·麦克劳克林,乔治·沙佩尔森,Douglas Chapman,玛茜·T·豪斯,阿隆·克
迪安娜·罗素,尼尔·霍普金斯,托勒密·斯洛克姆,格雷琴·洛奇,基思·赫德森,娜塔莎·戈特,乔治娜·布莱克利奇,Michele Weaver,Clint Jung,Paul McCarthy-Boyington,Salvita Decorte,Shellye Broughton,Danielle Lewis,Phet Mahathongdy,Albert A. Vega
布鲁克·亚当斯,詹姆斯·凯伦,丽莎·库卓,凯西·格里芬,Jeff Hayenga
Antonio Resines,Álex Angulo,Frédérique Feder